“America’s Best Unknown Writer”: The Letters of William Gaddis in The New York Review of Books
adam2013-09-20T09:04:12-05:00William Gaddis was nineteen in 1942, when he wrote to [...]
The Currency of Paper asks how capitalism affects art: The New Statesman
adam2013-09-18T12:36:38-05:00Alex Kovacs’ debut, The Currency of Paper, is a novel [...]
The Short Fiction of Flann O’Brien is the Guardian’s paperback of the week
adam2013-09-17T12:50:56-05:00Roddy Doyle tells the story of how, when he was [...]
A book of ideas: “Permission” reviewed at That Shakespearean Rag
adam2013-09-14T16:55:17-05:00Permission is a book that could not have been published [...]
BOMB Magazine’s brilliantly entertaining interview with Gonçalo M. Tavares
adam2013-09-13T15:46:05-05:00Many years ago, when I taught a studio class at [...]
The Hairy Dog Review finds great “power and poetry” in Marcom’s A Brief History of Yes
adam2013-09-13T14:16:07-05:00What if love affairs only provide momentary cessations of heartache? [...]
House With a Sunken Courtyard, part of the Library of Korean Literature, reviewed at Korean Literature in Translation
adam2013-09-12T15:35:51-05:00Kim Won-il’s House With a Sunken Courtyard nearly redefines the [...]
Read about and listen to Vladimir Godar’s “Sonata in Memory of Viktor Shklovsky” at Numero Cinq
adam2013-09-12T15:33:19-05:00Today we have Lawrence Sutin’s gorgeous and thoughtful essay on [...]
Vol. 1 Brooklyn: The Short Fiction of Flann O’Brien makes for a terrific read
adam2013-09-12T11:13:30-05:00Do I like the work of Flann O’Brien? I do [...]
The Quarterly Conversation is in constant vertiginous motion from A.G. Porta’s The No World Concerto
adam2013-09-09T08:55:43-05:00The No World Concerto, Spanish novelist A.G. Porta’s first novel [...]
