“Vedrana Rudan’s new provocatrice, Tilda (unnamed until the penultimate chapter), recalls the protagonist of her first novel, Night, both middle-aged, middle-class wives with a daughter and a lover. Its focus the sexual battlefield—if Love at Last Sight does not, like Night, foreground realpolitik—it censures global institutions for creating an existential void that transforms love into war.”
Read the full review online at World Literature Today.
