The Review of Contemporary Fiction
Julio Cortazar / John Hawkes
* Evelyn Picon Garfield,
"Interview with Julio Cortazar"
* Julio Cortazar, "An Approach to Lezama Lima"
* Julio Cortazar, "Some Aspects of the Short Story"
* Julio Cortazar, "On the Short Story and Its Environs"
* John Ditsky, "
End of the Game: The Early Fictions of Julio Cortazar"
* Julio Ortega, "Morelli on the Threshold"
* Genero J. Perez, "Auto-Referential Elements in 'Blow-Up" and 'The Gates of Heaven'"
* Lois Parkinson Zamora, "Movement and Stasis, Film and Photo: Temporal Structures in the Recent Fiction of Julio Cortazar"
* Sara Castro-Klaren, "Desire, the Author and the Reader in Cortazar's Narrative"
* Evelyn Picon Garfield, "Julio Cortazar's
Redheaded Night: Notes on Ordering the Universe in
Prosa del Observatorio"
* Sharon Spencer, "The Art of the Shaman: Julio Cortazar Viewed as a Native American Writer"
* Carlos Fuentes, "
Hopscotch: The Novel as Pandora's Box"
* Alicia Borinsky, "Fear/Silent Toys"
* Jaime Alazraki, "From
Bestiary to
Glenda: Pushing the Short Story to Its Utmost Limits"
* Saul Sosnowski, "Cortazar's Other Texts"
* Patrick O'Donnell,
"Life and Art: An Interview with John Hawkes"
* Stanley Fogel, "The Blood Oranges: Cyril's Lyric"
* Pierre Gault, "The Oxymoron as Central Trope in
The Passion Artist"
* Alan Heineman, "'It is a Lawless Country': Narrative, Formal and Thematic Coherence in
The Beetle Leg"
* John Kuehl, "
Virginie as Metaphor"
* Franco La Polla, "The Beauties of Language: Notes on
The Blood Oranges and
The Passion Artist"
* Steven Weisenberger, "The Devil and John Hawkes"
* John Banks, "Self-Consciousness and
Death, Sleep & the Traveler"
* Marc Chenetier, "'The Pen & the Skin': Inscription & Cryptography in John Hawkes's
Second Skin"
* Christine Laniel, "The Rhetoric of Excess in John Hawkes's
Travesty"
* Andre Le Vot, "From the Zero Degree of Language to the H-Hour of Fiction: Or, Sex, Text, and Dramaturgy in
The Cannibal"
* Gilbert Sorrentino, "
The Blood Oranges"
* Johan Thielemans, "Violated Bodies: Hawkes's
Second Skin"
* John O'Brien, "Who's Cassandra? For That Matter, Who's Gertrude?"
* Jack Byrne, "Bob and Carol and Ted and Alice Out of Season in Illyria: Sacred and Profane Love Among the Funeral Cypresses"
* Heide Ziegler, "Postmodernism as Autobiographical Commentary:
The Blood Oranges and
Virginie"
* Keith Abbott, "Garfish, Chili Dogs, and the Human Torch: Memories of Richard Brautigan and San Francisco, 1966"
* Lowell Dunlap, "A Review of the
Review: The Formal Method"
* Books Received
* Note to Future Contributors
* Annual Index
