The Review of Contemporary Fiction

Jack Kerouac / Robert Pinget
* William S. Burroughs, "Kerouac" * William Crawford Woods, "'A New Field': A Note on The Dharma Bums" * Arthur Winfield Knight, "Searching for Jack Kerouac" * Ronna Johnson, "Doctor Sax: the Origins of Vision in the Duluoz Legend" * Larry Kart, "Jack Kerouac's 'Jazz America' Or Who Was Roger Beloit?" * Joy Walsh, "Kerouac's Harmonious Combination of Elements: The Long Symphonic Sentence" * Tim Hunt, "The Misreading of Kerouac" * Jim Burns, "Kerouac and Jazz" * Albert Huerta, S.J., "The Inner Quest of Space: Twenty-Five Years Later" * George Rideout, "Duluoz and Faust" * Eric Mottram, "A Preface to Visions of Cody" * John Clellon Holmes, "Tender Hearts in Boulder" * Regina Weinreich, "Synaesthesia, Synchronicity, and Syncopation" * Joy Walsh, "Jack Kerouac: Roman Catholic Conscience and the Body" * Gerald Nicosia, "'Where Did This Guy Come From, Anyway?'" * Regina Weinreich, "The Brothers Martin or the Decline of America" * Tom Clark, "Spring 1956: From A Life of Jack Kerouac" * Joy Walsh, "Literature of the Fifties: Jack Kerouac and The Delicate Balancing Point" * Thomas McGonigle, "All I Got" * Chris Challis, "Write In Recollection and Amazement for Yourself" * George Dardess, "The 'Marvels' of Visions of Gerard" * Barbara Wright, "Translator's Preface to Pinget's Someone" * Robert Pinget, "Extracts from Someone" * Robert Pinget, "Address to the New York University Conference" * Robert Pinget and Robert M. Henkels, "Voices on the Air: Pinget's Radio Plays--Text and Interview" * Barbara Wright, "The 'Trials' of Translating Pinget" * Robert M. Henkels, "Names in Graal Flibuste" * Stephen Bann, "L'Apocrype: Ou la Loi Nouvelle" * Stephen Bann, "Robert Pinget: The End of a Modern Way" * Stephen Bann, "Extremities of Discourse: Walter Pater and Robert Pinget" * Enid G. Marantz, "The Conflict of Words and Voices in Pinget's Cette Voix" * F. C. St. Aubyn, "Pinget and the Voyage to Some/Nowhere" * John O'Brien, "Pinget's Passacaglia: Birds Wings Beating the Solid Air" * Jean-Louis de Rambures, "Who is Robert Pinget?" * Anna Otten, "The Search for Identity in the Work of Robert Pinget" * John Sturrock, "The Absences of Monsieur Songe" * Germaine Baril, "Discovering the Unforeseeable: Robert Pinget's Narrative Adventures" * John Fletcher, "Pinget and Friends" * Jean-Claude Vareille, "Robert Pinget: Family Feuds and Others" * Germaine Baril, "'Are You Listening?'--Robert Pinget's Insistent Voices" * Robert M. Henkels, "Rats, Cats, and Bats: Character, Plot and Language in Robert Pinget's Plays" * Jean-Claude Lieber, "Structure of Narration in The Inquisitory: Plot Formation or Senseless Ramblings?" * Jack Byrne, "Pinget's The Inquisitory: Or Where Were You on the Night of June the 12th?" * Georges Raillard, "Between Fantoine and Agapa" * Anthony Cheal Pugh, "Authorial Personae in Pinget's Fiction: Mahu, Mortin, and Monsieur Songe" * Tony Duvert, "Speech and Fiction: Robert Pinget's The Libera Me Domine" * Jean-Claude Lieber, "Abel and Bela" * Bettina L. Knapp, "Deciphering an Alchemical Cipher: Robert Pinget's Paralchimie" * Alain Robbe-Grillet, "A Novel That Invents Itself" * Glenn W. Fetzer, "A Critical Bibliography of Robert Pinget" * Albert Russo, "Three Ionesque Hours at Paris' Oldest Cafe (or) The Attribution of a New Literary Prize" * Contributors * Note to Future Contributors