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North

North


Author: Louis-Ferdinand Céline
Translator: Ralph Manheim
French Literature Series
March 2007
454 pages, 5.5 x 8
Dimensions:
Paperback, 1-56478-142-9
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Book Description

In this novel, Louis-Ferdinand Céline (Journey to the End of the Night, Death on the Installment Plan) offers us a vivid chronicle of a desperate man's frantic flight from France in the final months of World War II. Accompanied by his wife, their cat, and an actor friend, our autobiographical narrator Ferdinand leaves Paris for Baden-Baden (a World War II hideaway for wealthy Germans), is then sent to a bombed-out Berlin, and finally leaves for Denmark in search of the gold he had stashed there prior to the war. With the Third Reich in ruins and the Allied armies on Ferdinand's heels, North combines documentary realism with hallucinatory images, capturing the chaos of war and its toll on both victim and victimizer.

About the Author

Louis-Ferdinand Céline (1894-1961) changed French fiction permanently when he first exploded onto the literary scene in 1932 with Journey to the End of the Night and again in 1936 with Death on the Installment Plan. His vast and liberating influence on American writers can be seen in the works of Jack Kerouac, William Borroughs, Philip Roth, and Kurt Vonnegut, among others.

In 1993, Dalkey Archive published his previously untranslated London Bridge and has since made available his novels North, Rigadoon, and Castle to Castle.

About the Translator

Ralph Manheim's translation for Louis-Ferdinand Céline's Castle to Castle won him the National Book Award.

Praise

"North slams across our imminent fin-de-siècle pieties as a raw and dangerous abomination . . . Simply as the tale of a picaresque ordeal . . . North is fascinating and fizzy, but what makes it so potent as a document is the 'remarkable sensibility' that Gide commended. The prose has a dense inconsecutiveness brought about in part by Céline's favorite device of the three dots . . . (which both invite you on and trip you up), but also by his flair for letting his imagination range further than his analytical mind wants to go."—Paul West, Washington Post Book World

"Well worth reading by any student of the last days of the German Reich."—Nigel Dennis, New York Review of Books

"Céline, for all his garrulous ranting, was one of the most important voices in modern French fiction, and his influence on American as well as French novelists cannot be underestimated. [North] has already received favorable criticism in this country, and this excellent translation will undoubtedly increase Céline's public here."—Choice

More Information

Also by Louis-Ferdinand Céline:
Castle to Castle
Conversations with Professor Y
London Bridge
Rigadoon
Also by Ralph Manheim:
Rigadoon
Castle to Castle

Sure, I tell myself, it'll all be over soon .. . whew! . .. we have seen enough . . . at sixty-five and then some what difference can the worst H . . . Z . . . or Y superbomb make . . . they're zephyrs! . . . nothings! the only terrible thing is this feeling of having wasted all my time and all those myriatons of effort for that hideous satanic horde of alcoholic cocksucking flunkeys . . . lady, lady! have pity! . . . "Shut up and sell your gripes!" . . . hell, why not? . . . I'm willing, but to whom? . . . The buyers are down on me, it seems . . . they don't like me, they only buy authors that are practically the same as they are, plus that snippet of colored ribbon . . . head flunkey . . . head wipe-this-and-lick-that . . . skullduggery, holy water, lechery, bribery, guillotines . . . that way the reader feels at home, senses a kindred soul, a brother, indulgent, understanding, who'll stop at nothing . . .

"That'll do! . . . even among the galley slaves there were ten percent of volunteers. You're one of them."



You don't need to vote to have an opinion . . . several in fact . . . it's the privilege of old age . . . a time comes when you stop reading the articles . . . Just the ads . . . they tell you the whole story . . . and the death notices . . . you know what people want . . . and you know that they're dead . . . that's enough . . . all the rest is blah-blah-blah . . . left, center, right! . . . "Licensed enterprises" like the brothels in the old days . . . for every taste . . . little quirks and big ones . . .

You see them passing the hat for those poor refugees . . . Smyrniots, Bulgaro-Bastaves, Afro-Polacks, all so so pitiful, but hell, what about you? You don't exist any more! . . . can't you get that through your head? . . . you're through . . .



The class of 1912 is old stuff, I agree . . . but take it from me, the right time to have been born is 100 B.C.! . . . the stories we tell are a bore! . . . our plays, more yawns! and the movies and TV . . . disaster! what the people want and the élite too is Circuses! the gory kill! . . . honest-to-God death rattles, tortures, guts all over the arena! . . . no more silk-and-something stockings, false tits, sighs and moustaches, Romeos, Camellias, Cuckolds . . . hell no! . . . Stalingrads! . . . tumbrils full of lopped-off heads! heroes with their cocks in their mouths . . . you come home with your wheelbarrow full of eyes, like the Romans . . . no more little gilt-rimmed programs! . . . the real stuff, blood and entrails . . . no more of your rigged brawls . . . no! the Circus will put the theaters out of business . . . the forgotten fashion will come back . . . all the rage! . . . three hundred years before Jesus! "at last! at last!" What a novel that will be! I'll start right in . . . evening dress required? hell no! "The vivisection of the wounded"! . . . That's it! so much art, centuries of so-called masterpieces, all for nothing! swindles! crimes!



"So you call yourself a chronicler?"

"Exactly!"

"Without a qualm? . . ."

"Don't exasperate me!" I can still hear Madame von Dopf . . .

"I assure you, Monsieur Céline, if my husband had lived, we would never have had Hitler . . . that disastrous man! . . . intelligence without will comes to nothing, don't you see? . . . but will without intelligence? . . . disaster! . . . Hitler! . . . don't you agree, Monsieur Céline . . ."

"Certainly, Madame, certainly!"

God knows the guests of the Simplon in Baden-Baden were Gaullists, out-and-out anti-Hitlerites . . . ripe for the Allies! . . . with the Cross of Lorraine in their hearts, in their eyes, on their tongues . . . and none of your small-time flops, none of your demented down-at-the-heel shopkeepers . . . oh no! . . . plush addicts every last one of them, four star, two three chambermaids to every suite, sun balcony overlooking Lichtenhalallee . . . the banks of the Oos, that little brook with its genteel lappings, bordered by rare trees of every kind . . . silver-haired weeping willows trailing their branches . . . a hundred feet long . . . in the water . . . three centuries of fancy gardening . . . the Simplon only took people from the very best families, former reigning princes or Ruhr magnates . . . owners of steel mills with a hundred . . . or two hundred thousand workers . . . still . . . I'm speaking of July '44 . . . very well supplied with food, and very punctually . . . they and their hangers-on . . . butter, eggs, caviar, marmalade, salmon, cognac, Mumm's extra . . . airborne shipments, dropped by parachute on Vienna, Austria . . . direct from Rostov, Tunis, Epernay, London . . . the wars raging on seven fronts and all the oceans don't interfere with their caviar . . . the super-squashery . . . Z-bomb, sling, fly-swatter . . . will always respect the delikaitessen of the high and mighty . . . You won't see Kroukrouzof eating monkey meat in this world! Or Nixon feeding on noodles or Millamac on raw carrots . . . the tables of the high and mighty are a "Reason of State" . . . That's how it was at the Simplon . . . everything they needed! . . . on every floor assassins dressed like waiters carrying compote with maraschino . . . For those people, I don't have to tell you, money was no problem . . . guests and flunkeys thought nothing of putting ten fifteen millions on a single card at the "Mark Exchange" . . . and Christ, were they in a hurry to unload that stage money! . . . to buy something with it, anything . . . but where did the stuff come from? from right next door, from Switzerland . . . and via Switzerland from the Orient, from Morocco . . . and the prices! . . . whole wheelbarrows full of marks! . . . okay . . . okay . . . but what about the layout? . . . A whole floor of the Simplon was fixed up . . . genuine merchants! . . . curled, pomaded, swarthy . . . and slippery! . . . with the charm of a jaguar, tanged smiles, cousins of Nasser, Laval, Mendès, Youssef . . . "Come right in, dear patrons!" and those magnates, you should have seen the barrels full of foreign currency . . . the Simplon bazaar open for business . . . the real thing! a Bukhara rug; ten pounds of "Schlacht Bank" weighed out! . . . swept in! . . . tomorrow you'll see the same people in the bazaars of the Kremlin, Russia, or the White House, U.S.A., in the middle of another war! . . . ten twenty Hiroshimas a day, boom boom, sound and fury, that's all! . . . those hideous clashes, love taps, nothing at all. . . who cares as long as Mercury gets his own! . . . that's what counts! . . . in the Russian labor camps, in Buchenwald, in the darkest dungeons, or under the atomic ashes. Mercury is right there! Find his little temple . . . and you'll be all right . . . life goes on . . . So does Nasser and his canal! . . . and marmalade! . . . and genuine Rostov sturgeon! . . . and if you please, don't let the last remaining parachute get any ideas about dropping anything but a good big case of Chianti, plus glasses and beveled mirrors, "pure Venice," better than best! nylon underthings "Valenciennes style"! . . . for the "Kommissar" ladies! . . . ah, those perfumed idols, surfeited with tortures, yawning at the gallows . . . last parachute, remember those "ratafia-nylon" blouses! . . . don't make me say it again! . . . forget about those boring contraptions for pulverizing five provinces! so packed with neutrons that you'll never find Saint-Lazare Station again! . . . or a stray locomotive bolt! . . . enough of your nonsense!