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Hidden_camera

Hidden Camera


Author: Zoran Zivkovic
Translator: Alice Copple-Tosic
Eastern European Literature Series
November 2005
214 pages, 5.5 x 8
Paperback, 1-56478-412-6
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Book Description

From one of Serbia's greatest contemporary writers, Hidden Camera opens with the narrator finding a mysterious, blank envelope stuck in his apartment door inviting him to a private showing of a movie. Or so he initially thinks. Upon arrival at the theatre, he discovers that there's only one other person in the audience, a very attractive woman whom he's seated next to. Then things get a bit more mysterious. The movie he's been invited to see includes a scene showing him sitting in a park. Believing that he's an unwitting participant in a complicated hidden camera show, he goes along with the variety of setups he's faced with, which continue to get more involved and absurd. As the show develops, he becomes more and more paranoid and distrustful, but he keeps up the ruse to its thrilling conclusion.

Hidden Camera was nominated for the 2007 International IMPAC Dublin Literary Award.

About the Author

Zoran Zivkovic was born in Belgrade, former Yugoslavia in 1948. He worked as an editor, translator, and publisher before beginning his very productive, successful, and ongoing writing career. Winner of the World Fantasy Award, Zivkovic is the author of eleven works of fiction that, in the tradition of Borges and others, blur the line between the fantastic and real. He continues to live and work in Belgrade.

Zoran_zivkovic

About the Translator

Alice Copple-Tosic is a translator of Serbian fiction, particularly the works of Zoran Zivkovic. She has translated several of his novels, including The Writer, Impossible Encounters, Time Gifts, Seven Touches of Music, The Library, Steps through the Mist, and Hidden Camera.

Praise

"The writing is wonderful, sometimes dense and foreboding, sometimes light and allusive, never less than accomplished, and always well-suited to the artistic task at hand."—Tim Pratt, Locus

"For all his control of mood and language, Zivkovic is a writer who prefers the playful to the profound, the scattering of seeds to the harvest."—Gerald Turner, New York Times

"Zivkovic does a superb job of communicating the befuddlement, confusion, and awe of individual characters as they wrestle with mysteries that exceed the understanding that their time, place and intellectual capacity permits."—Stefan Dziemianowicz, Publishers Weekly

"Winner of the 2003 World Fantasy Award for his novella The Library . . . Zoran Zivkovic is an immensely talented fabulist whose work is somewhat reminiscent of Italo Calvino's wry and delightfully surreal postmodern fictions."—Paul Witcover, Realms of Fantasy


I found the envelope wedged in my apartment door.

That was unusual. The mailman had never delivered a letter that way before. Why hadn’t he dropped it into the mailbox with others? I’d just collected the mail he’d left, as I always do when I come back from work. While the elevator took me up to the third floor, I gave the mail a quick look. Nothing special: a bill and three advertisements. I put my briefcase on the floor, stuck the letters from the mailbox under my arm, took the envelope and inspected it on both sides that settled one question but raised another. The mailman had nothing to do with this letter. He delivers mail without information about the sender, but not without information about the receiver. Among other reasons, because he wouldn’t know to whom to deliver it. No writing defaced the whiteness of the long envelope. But who had wedged it into the door frame if not the mailman?

As I unlocked the door, it occurred to me what this might be. It was another advertisement, except they hadn’t sent it the usual way, through the mail, but distributed it door to door, and in addition wrapped it in a veil of mysterious anonymity. They probably figured it would get more attention that way. I, for example, had already given it more attention than the three advertisements from my mailbox got; they would end up in the garbage without being opened. Who knows, I might even open the letter. It was very light as though there was nothing inside. Someone had put considerable effort into arousing the curiosity of potential customers.

The only thing I couldn’t figure out was how the deliverer had entered the building. The entrance is always locked and it’s highly unlikely that any of the tenants would let a stranger inside if he called on the intercom and said he wanted to wedge advertisements in everyone’s door. He must have tricked someone. Those people are cunning. How else could they succeed at their work? Before I entered my apartment I looked at the front door of the other apartment on my landing. There was no white envelope there. They must have taken it inside already.

I hung my coat and hat on the coat rack in the vestibule and went into the living room. I dropped my briefcase on a chair, put the letter on the coffee table and rushed to the aquarium. My tropical fish are more important than anything else. I have to feed them at 5:30 sharp. First I checked the thermostat to make sure the water was the right temperature, and then the air pump with its jet of bubbles streaming towards the surface. Then I took the plastic top off the can and started sprinkling mealy fish food onto the water. The fish immediately began a voracious hunt after the little lumps, fighting unnecessarily over some pieces while other bits of food slowly sank to the bottom.

I’m not fond of animals and would never have a dog, cat or parakeet in my apartment, let alone any other species. It’s not because I don’t want their company — many people who live alone like this solve the problem of loneliness this way, whether they admit it or not – but because I’d then be confronted with responsibilities that I couldn’t properly fulfill. Unlike larger animals, fish don’t require much care. It’s enough to feed them twice a day at a specific time. The tank’s simple equipment made sure the proper conditions were maintained in the aquarium.

Once, however, the heater broke. During the night, water had somehow come in contact with the electric wires. In the morning I found the whole little school of fish floating lifelessly on the surface. I wasn’t too upset. That same day I bought a new heater and new fish — and everything was the same as before. Someone might conclude from this that I have no feelings, but this isn’t true. The death of the little tropical creatures would have been harder on me had I been on more intimate terms with them. But there had been nothing more than reciprocated indifference. The fish were only aware of my existence during the brief moments when I fed them, and then only as some impersonal force that acted kindly towards them for some unknown reason. In all other circumstances they didn’t pay me the slightest attention.

I paid quite a bit of attention to them, however, although not as recognizable individuals with any feelings of attachment. This is actually why I had bought them, spurred on by an article in the newspaper that suggested different ways to relax. I would turn off all the lights in the living room except for the one above the aquarium, put on a CD, settle into the armchair nearby, and let myself unwind as I watched them. Sometimes this lasted quite a while. It was never less than half an hour, and once I stayed there next to the fish for two hours and twenty-four minutes, only getting up to change the CD. The length of this aquarium therapy depended on how stressed I was. But even the greatest stress would finally start to ease before the soundless, chaotic movement of colorful shapes that I stared at as though hypnotized.