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Criers and Kibitzers, Kibitzers and Criers
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Paperback Price: $12.95 $10.36 Save $2.59 (20%)
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These nine stories reveal a dazzling variety of styles, tones and subject matter. Among them are some of Stanley Elkin's finest, including the fabulistic "On a Field, Rampant," the farcical "Perlmutter at the East Pole," and the stylized "A Poetics for Bullies." Despite the diversity of their form and matter, each of these stories shares Elkin's nimble, comic, antic imagination, a dedication to the value of form and language, and a concern with a single theme: the tragic inadequacy of a simplistic response to life.
Details
ISBN-10
1-56478-234-4
ISBN-13
9781564782342
Publication Date
Jun 2000
Nb of pages
272
Dimensions 5.5 x 8.5 in.
Excerpt
Greenspahn cursed the steering wheel shoved like the hard edge of someone's hand against his stomach. Goddamn lousy cars, he thought. Forty-five hundred dollars and there's not room to
breathe. He thought sourly of the smiling salesman who had sold it to him, calling him Jake all the time he had been in the showroom: Lousy podler. He slid across the seat, moving carefully as though he carried something fragile, and eased his big body out of the car. Seeing the parking meter, he experienced a dark rage. They don't let you live, he thought. I’ll put your nickels in the meter for you, Mr. Greenspahn, he mimicked the Irish cop. Two dollars a week for the lousy grubber. Plus the nickels that were supposed to go into the meter. And they talked about the Jews. He saw the cop across the street writing out a ticket. He went around his car, carefully pulling at the handle of each door, and he started toward his store.
"Hey there, Mr. Greenspahn," the cop called.
He turned to look at him. "Yeah?"
"Good morning."
"Yeah. Yeah. Good morning."
The grubber came toward him from across the street. Uniforms, Greenspahn thought, only a fool wears a uniform.
"Fine day, Mr. Greenspahn," the cop said.
Greenspahn nodded grudgingly.
“I was sorry to hear about your trouble, Mr. Greenspahn. Did you get my card?"
"Yeah, I got it. Thanks." He remembered something with flowers on it and rays going up to a pink Heaven. A picture of a cross yet.
"I wanted to come out to the chapel but the brother-in-law was up from Cleveland. I couldn't make it."
"Yeah," Greenspahn said. "Maybe next time."
The cop looked stupidly at him, and Greenspahn reached into his pocket.
"No. No. Don't worry about that, Mr. Greenspahn. I’ll take care of it for now. Please, Mr. Greenspahn, forget it this time. It's okay."
Greenspahn felt like giving him the money anyway. Don't mourn for me, podler, he thought. Keep your two dollars' worth of grief.
The cop turned to go. "Well, Mr. Greenspahn, there's nothing anybody can say at times like this, but you know how I feel. You got to go on living, don't you know."
"Sure," Greenspahn said. That's right, Officer." The cop crossed the street and finished writing the ticket. Greenspahn looked after him angrily, watching the gun swinging in the holster at his hip, the sun flashing brightly on the shiny handcuffs. Podler, he thought, afraid for his lousy nickels. There'll be an extra parking space sooner than he thinks.
He walked toward his store. He could have parked by his own place but out of habit he left his car in front of a rival grocer's. It was an old and senseless spite. Tomorrow he would change.
What difference did it make, one less parking space? Why should he walk?
He felt bloated, heavy. The bowels, he thought. I got to move them soon or I'll bust. He looked at the street vacantly, feeling none of the old excitement. What did he come back for, he wondered suddenly, sadly. He missed Harold. Oh my God. Poor Harold, he thought. I’ll never see him again. I'll never see my son again. He was choking, a big pale man beating his fist against his chest in grief. He pulled a handkerchief from his pocket and blew his nose. That was the way it was, he thought. He would go along flat and empty and dull, and all of a sudden he would dissolve in a heavy, choking grief. The street was no place for him. His wife was crazy, he thought, swiftly angry. "Be busy. Be busy," she said. What was he, a kid, that because he was
making up somebody's lousy order everything would fly out of his mind? The bottom dropped out of his life and he was supposed to go along as though nothing had happened. His wife and
the cop, they had the same psychology. Like in the movies after the horse kicks your head in you're supposed to get up and ride him so he can throw you off and finish the job. If he could get a buyer he would sell, and that was the truth. Mechanically he looked into the windows he passed. The displays seemed foolish to him now, petty. He resented the wooden wedding cakes, the hollow watches. The manikins were grotesque, giant dolls. Toys, he thought bitterly. Toys. That he used to enjoy the displays himself, had even taken a peculiar pleasure in the complicated tiers of cans, in the amazing pyramids of apples and oranges in his own window, seemed incredible to him. He remembered he had liked to look at the little living rooms in the window of the furniture store, the wax models sitting on the couches offering each other tea. He used to look at the expensive furniture and think, Merchandise. The word had sounded rich to him, and mysterious. He used to think of camels on a desert, their bellies slung with heavy ropes. On their backs they carried merchandise. What did it mean, any of it? Nothing. It meant nothing.
He was conscious of someone watching him.
"Hello, Jake."
It was Margolis from the television shop.
"Hello, Margolis. How are you?"
"Business is terrible. You picked a hell of a time to come
back."
A man’s son dies and Margolis says business is terrible. Margolis, he thought, jerk, son of a bitch.
"You can't close up a minute. You don't know when somebody might come in. I didn't take coffee since you left," Margolis said.
"You had it rough, Margolis. You should have said something, I would have sent some over."
Margolis smiled helplessly, remembering the death of Greenspahn's son.
"It’s okay, Margolis." He felt his anger tug at him again. It was something he would have to watch, a new thing with him but already familiar, easily released, like something on springs.
"Jake," Margolis whined.
"Not now, Margolis," he said angrily. He had to get away from him. He was like a little kid, Greenspahn thought. His face was puffy, swollen, like a kid about to cry. He looked so meek.
He should be holding a hat in his hand. He couldn't stand to look at him. He was afraid Margolis was going to make a speech. He didn't want to hear it. What did he need a speech? His son was in
the ground. Under all that earth. Under all that dirt. In a metal box. Airtight, the funeral director told him. Oh my God, air-tight. Vacuum-sealed. Like a can of coffee. His son was in the
ground and on the street the models in the windows had on next season's dresses. He would hit Margolis in his face if he said one word.
Margolis looked at him and nodded sadly, turning his palms out as if to say, "I know. I know." Margolis continued to look at him and Greenspahn thought, He's taking into account, that's what he's doing. He's taking into account the fact that my son has died. He's figuring it in and making apologies for me, making an allowance, like he was doing an estimate in his head
what to charge a customer.
"I got to go, Margolis."
"Sure, me too," Margolis said, relieved. "I’ll see you, Jake. The man from R.C.A. is around back with a shipment. What do I need it?"
Greenspahn walked to the end of the block and crossed the street. He looked down the side street and saw the shul where that evening he would say prayers for his son.
He came to his store, seeing it with distaste. He looked at the signs, like the balloons in comic strips where they put the words, stuck inside against the glass, the letters big and red like it was the end of the world, the big whitewash numbers on the glass thickly. A billboard, he thought.
Reviews
Press Reviews
Criers and Kibitzers, Kibitzers and Criers
New York Times
This imagination of Elkin's sneaks up, tickles, surprises, shocks and kills. It makes stories that are deadly funny.
Criers and Kibitzers, Kibitzers and Criers
New Republic
I've spent days reading (and rereading) these superb stories. There are indeed some giants in the English language, and I now count Elkin among them.
Criers and Kibitzers, Kibitzers and Criers
National Observer
A master storyteller of formidable imagination and stunning insight. His stories sparkle.
Criers and Kibitzers, Kibitzers and Criers
New York Times Book Review
Stanley Elkin has a remarkable talent, composed of many important virtues: originality, wit, insight, an unusually sharp eye for irony, verbal exuberance, precision, detachment. I did not read one of his nine stories without absorption, even renewed expectation.
Criers and Kibitzers, Kibitzers and Criers
Chicago Tribune
These nine stories have no missteps, nothing that does not contribute to the artfulness of the storytelling.
Criers and Kibitzers, Kibitzers and Criers
Life
Virtually any story in this collection contains more art than 98% of the thousands of novels published in this country in the past five years. Elkin's stories are fully realized expressions of the comic sense of tragedy.
Quotations
Stanley Elkin is one of the bigs of American comic fiction, which puts him in a small room with wonderful company. His work is funny and moral and wildly adventurous, and this early rambunctious collection will please admirers of The Dick Gibson Show and The Living End.
-Garrison Keillor
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