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The Cave of Heaven
Winner of the 1976 Prix Goncourt
This extravagant novel marks the English-language debut of one of France's most exciting and controversial writers. At the center is a mysterious excavation site in southwest France, where the skull of a 500,000-year-old man has been discovered. Simon, a journalist assigned to do a story on the cave, is a voluptuary keenly responsive to his surroundings, finding an erotic patina over everything he sees, hears, touches, imagines.
As he and a young archeologist from Cameroon find themselves drawn into a whirlwind of sexual hunger, the surrounding countryside fills with strange and exotic visitors: an escaped Basque terrorist, a roving lynx, a redheaded biker queen and her latest conquest (a village waitress), tourists from Northern Europe, a hermit, a gold prospector, a madwoman. . . . All these characters and narrative strands come together at the conclusion as the countryside goes up in flames.
In The Cave of Heaven Grainville explores the mystery of origins, the convergence of the prehistoric past on the technologic present, and the primitive impulses that still reside in the modern heart and mind. The journalist Simon encompasses in his visionary imagination both epochs, the savage and the civilized, united by his Rimbaudesque sensitivity to extremes (of language as well as behavior).
"Nature out here is subject to unpredictable excesses," he notes, which Grainville matches with the unpredictable excesses of his highly imagistic prose, superbly rendered here in Dominic Di Bernardi's translation.
Details
Format
Hardcover
ISBN-10
0-916583-56-2
ISBN-13
978-0-916583-56-9
Publication Date
Aug 1990
Nb of pages
237
Dimensions 6 x 9 in.
Format
Paperback
ISBN-10
0-916583-68-6
ISBN-13
9780916583682
Publication Date
Aug 1990
Nb of pages
237
Dimensions 6 x 9 in.
Excerpt
The voluptuousness of charging along the void of the gigantic highway. An asphalt desert drawn out like a boundless back. He felt as though he were inventing the landscape, creating his route solely by pressing the accelerator. Traffic was sparse. He’d chosen an uncrowded weekday and was sliding down this flawless toboggan course, a solid river quivering under the wheels. Now and then, defying the speed limits, he hit 110 MPH. The tensed, crackling vehicle emitted a curious moan, a death chirr. A paradoxical sensation of standing still seized the driver. Space and time contracted in a straight, vibrating line. The glass and metal capsule sustained this climactic velocity. It could all come undone, fly apart at any second. But the machine held up. Simon was thrust back against a sort of compact thrumming wall. He soon thought of nothing. His past evaporated and the panorama escaped his senses. His brain and body, lodged in the metallic pod, quit the realm of existence, entering a hard, atemporal zone. A cannonball purified to an absolute smoothness, shorn of regrets, desires, biographical anecdotes, the continuing saga of duration. Simon was clutched to his eternity. Suddenly, a song sprang from his throat, a cry as if his memory had been slain, crushed under his wheels. A gentleness invaded him. Without slowing down, he relaxed, lightened. And the stripped, ascetic condition of the automobile extended a promise of glory and aridity. He thirsted for a universe without compromise, a bone-dry cosmos in the guise of an enormous solar stone. And he knew, as the light sharpened into a brighter blue, that he was leaving the north behind him, the fleshy fields of grass, the babbling vegetation, that thick compost where he had been born: dense sudden showers of clay, a feast of dirt clods. Already outcrops of violet-tinged stone broke into view, and sterile horizons were unfurling. Simon’s heart swelled. Rock origins came to him in premonition. He was going to live in a large, bright expanse of gravel.
He arrived in Aguilar after dark. Consequently he saw nothing of the spaces where he was to conduct his investigation. This latter word stamped his assignment with a very solemn character. His newspaper had granted him a vacation that would keep him somewhat more on his toes than ordinary. During the course of these long weeks, he had to arrange for a few hours of work in the view of producing a feature on the Aguilar cave and a five hundred thousand-year-old pithecanthropus whose skeleton had been discovered . . . Cave, pithecanthropus, Aguilar, five hundred thousand years old . . . These words immediately seduced him. In them he recognized the glamour of sunlight and dryness. He pictured some sort of archaic ossuary that would be perfect for taking him out of his element. It was night in Aguilar. And cave, mountains, the ruins of Cathar castles which, as he’d been told, adorned the jutting rock in the distance—these were all still invisible, steeped in the warm balmy darkness. He set down his bags at the only hotel in the village. The owner had gone to bed a while ago and was asleep. Simon had to call out several times. The man woke up and came down. She showed the traveler to a rather spacious but shabby room. The faded, tattered wallpaper pleased Simon. An odor of scorched dust hung in the air. The window was open on the deserted village, the streets blanched by moonlight. Simon, wired from his travel fatigue, no longer felt like sleeping. After the hotelier handed over a bunch of keys, Simon stepped softly down the stairs, opened the door and went out.
The uneven, patchily tarred street wound between the housefronts and farm porches. Simon liked the coarse crust of this roadway hammered by winegrowers’ footsteps, stripping it smooth in places, or rubbing down the sidewalk curbs. A narrow passageway sculpted by life, molding itself to the least routine and passion. More a gallery than a street, a pebbly gully. Soon he was out in the country. The crickets riddled the shadows with their songs. A stubborn serenade transforming each molecule of darkness into a plangent needle. This proliferating hysteria was a new experience for Simon. The mute, damp, northern nights had no inkling of this persistent din. Up there the sludge bogs you down. But here the night was studded with cries; a frenzied energy expended upon this great web of insomnia. Each lot of land possessed its frantic cricket. Simon walked amid drunken trumpeters and sentries. Then the echoes dulled, his hearing grew accustomed. The howling mosaic smoothed into a more serene, droning chant. This concealed landscape lay all about him. He would have liked to glimpse it through some miraculous fissure in the shadows. To be in league with the gods through some sacred cunning that allowed him a glimpse of this light-drenched land for one minute as if the sun were at zenith. He believed in the possibility of these sovereign triggers able to open mountains, revealing to a few celestial voyeurs their ruby-flowered bowels. For himself alone to transform moon into sun. He desired to be caught red-handed in a cosmic breaking and entering.
Short of pulling off such grandiose embezzlements, he left the road, followed a path among the vines, knelt on the ground and touched this unknown, invisible earth whose dry hot grain gave him chills. Somewhere the cave gaped open. But nothing could indicate this fracture in the darkness. Slowly he gazed about, tried to discern this cavity in the rock. His rattled nerves peopled his mind with superstitions, innocent lusts. He breathed in the scent of this region for want of perceiving its lines, rifts, and colors. The lizards slept under the stones, and beautiful snakes in sheaths of soil. An entire bestiary, with coppery scales, currency of asps, solar venom. For him night was always linked to some secret brilliance. Almost red stars: Altair, Antares in Scorpio echoed with their myriads the constellations of the crickets. Simon listened to the millions of stars singing and saw shimmering the beetles’ golden pods under the vine stocks. The obscurity made strangely present the shadow of the first men. Espied form far back in the cave, what meaning did the circle of starry night posses? Shining points in a stone jaw . . . Canines of a thousand suns and molars of the sky. With what wild imaginings, what primitive anxieties, did they people this cavern opening through which the night flooded in, along with its noises, its thunders, its winged flights, its creeping breezes and astral bodies twinkling like animals’ eyes? Stars identical to those brief bolts brought into being by banging quartz stones against each other, transforming them into weapons and tools. These primordial words moved by Simon. By scratching the glebe he would have liked to bare the moonlight cavity preserving the first weapon and the first tool. Long before metal, long before fire. Still unformed objects in which only a trained glance could recognize the barest promise of human benefit. Stones where thought roams, rocks where the mind awakens. Ghosts in the cradle of the soil. Simon gladly would have slept the sleep of his ancestors in this mountain cave, halfway between the heavens and the earth, at the threshold of the visible, at the beginning of the world. Night was far advanced. The peasants were dreaming in the village of Aguilar. An empty room awaited Simon. But he remained stretched out under the soft leaves of the vineyard, amid the gnarled stocks and the Dionysian cymbals of the crickets. This is where daylight surprised him. He opened his eyes upon the amphitheater of the hills, the perpendicular rocks. The valley fashioned its hollow in this hard, bright casket. His heart beat before this bone-whiteness, these limestone skulls, these trunnions, these cliff roads, these scoured belemnite guards, these stone breasts crazed over with cracks and tortured with bumps and tendons. His gaze traveled along the vertical walls and gentle slopes. He spotted the cave hold, a dark patch in the pale greyness of a steep one hundred-yard rise. It was a suspended theater, a stage with a sunlit rim; then the cavity sank inward, forming a black niche. The night seemed to have taken refuge in this well up there in the sky. The mountain had swallowed the mass of shadows as if their immense opaque veils were needed to protect the dubious ancestral skeleton.
Reviews
Press Reviews
The Cave of Heaven
Library Journal
This is a work that will captivate readers willing to be seduced by extremes of language and image that reflect artistically the voluptuousness of thought and action of the characters created so brilliantly by the author. . . . [T]his is a novel of affirmation: primitive impulses remain vigorous in modern beings. Grainville seizes this convergence, depicting characters who throb and pulse with life and yet who are clearly born of poetic language and imagination.
The Cave of Heaven
Choice
[Written in] a prose that is violent, wild, even threatening. Grainville's writing dazzles, and some of his imagery is simply overwhelming, as befits his cosmic intent . . . He is well served by an adroit translation that does not shy away from the crudeness and violence of the original.
The Cave of Heaven
Publishers Weekly
A melange of musing and metaphor on sex (the title, for one), ancestry, death.
Quotations
The Cave of Heaven introduces a French novelist whose strength lies in creating erotic intensity through the density of his language.
-Michael Perkins
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Genres : Fiction : Europe : Western Europe
Countries : France
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