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The Cave of Heaven

Translated by Dominic Di Bernardi

Hardcover - $19.95 $15.96 Save $3.99 (20%)
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Paperback
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Winner of the 1976 Prix Goncourt

This extravagant novel marks the English-language debut of one of France's most exciting and controversial writers. At the center is a mysterious excavation site in southwest France, where the skull of a 500,000-year-old man has been discovered. Simon, a journalist assigned to do a story on the cave, is a voluptuary keenly responsive to his surroundings, finding an erotic patina over everything he sees, hears, touches, imagines.

As he and a young archeologist from Cameroon find themselves drawn into a whirlwind of sexual hunger, the surrounding countryside fills with strange and exotic visitors: an escaped Basque terrorist, a roving lynx, a redheaded biker queen and her latest conquest (a village waitress), tourists from Northern Europe, a hermit, a gold prospector, a madwoman. . . . All these characters and narrative strands come together at the conclusion as the countryside goes up in flames.

In The Cave of Heaven Grainville explores the mystery of origins, the convergence of the prehistoric past on the technologic present, and the primitive impulses that still reside in the modern heart and mind. The journalist Simon encompasses in his visionary imagination both epochs, the savage and the civilized, united by his Rimbaudesque sensitivity to extremes (of language as well as behavior).

"Nature out here is subject to unpredictable excesses," he notes, which Grainville matches with the unpredictable excesses of his highly imagistic prose, superbly rendered here in Dominic Di Bernardi's translation.

Details

Format Hardcover
ISBN-10 0-916583-56-2
ISBN-13 978-0-916583-56-9
Publication Date Aug 1990
Nb of pages 237
Dimensions 6 x 9 in.

Format Paperback
ISBN-10 0-916583-68-6
ISBN-13 9780916583682
Publication Date Aug 1990
Nb of pages 237
Dimensions 6 x 9 in.


Excerpt

The voluptuousness of charging along the void of the gigantic highway. An asphalt desert drawn out like a boundless back. He felt as though he were inventing the landscape, creating his route solely by pressing the accelerator. Traffic was sparse. He’d chosen an uncrowded weekday and was sliding down this flawless toboggan course, a solid river quivering under the wheels. Now and then, defying the speed limits, he hit 110 MPH. The tensed, crackling vehicle emitted a curious moan, a death chirr. A paradoxical sensation of standing still seized the driver. Space and time contracted in a straight, vibrating line. The glass and metal capsule sustained this climactic velocity. It could all come undone, fly apart at any second. But the machine held up. Simon was thrust back against a sort of compact thrumming wall. He soon thought of nothing. His past evaporated and the panorama escaped his senses. His brain and body, lodged in the metallic pod, quit the realm of existence, entering a hard, atemporal zone. A cannonball purified to an absolute smoothness, shorn of regrets, desires, biographical anecdotes, the continuing saga of duration. Simon was clutched to his eternity. Suddenly, a song sprang from his throat, a cry as if his memory had been slain, crushed under his wheels. A gentleness invaded him. Without slowing down, he relaxed, lightened. And the stripped, ascetic condition of the automobile extended a promise of glory and aridity. He thirsted for a universe without compromise, a bone-dry cosmos in the guise of an enormous solar stone. And he knew, as the light sharpened into a brighter blue, that he was leaving the north behind him, the fleshy fields of grass, the babbling vegetation, that thick compost where he had been born: dense sudden showers of clay, a feast of dirt clods. Already outcrops of violet-tinged stone broke into view, and sterile horizons were unfurling. Simon’s heart swelled. Rock origins came to him in premonition. He was going to live in a large, bright expanse of gravel.
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Reviews

Press Reviews

Library Journal
This is a work that will captivate readers willing to be seduced by extremes of language and image that reflect artistically the voluptuousness of thought and action of the characters created so brilliantly by the author. . . . [T]his is a novel of affirmation: primitive impulses remain vigorous in modern beings. Grainville seizes this convergence, depicting characters who throb and pulse with life and yet who are clearly born of poetic language and imagination.

Choice
[Written in] a prose that is violent, wild, even threatening. Grainville's writing dazzles, and some of his imagery is simply overwhelming, as befits his cosmic intent . . . He is well served by an adroit translation that does not shy away from the crudeness and violence of the original.

Publishers Weekly
A melange of musing and metaphor on sex (the title, for one), ancestry, death.



Quotations

The Cave of Heaven introduces a French novelist whose strength lies in creating erotic intensity through the density of his language.
-Michael Perkins

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Genres : Fiction : Europe : Western Europe
Countries : France


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