The Questionnaire

The Questionnaire

Translated by Peter Kussi

Originally circulated in Czechoslovakia in an underground edition of nineteen typewritten copies (which landed the author in jail for "initiating disorder"), The Questionnaire is Jirí Grusa's internationally acclaimed masterpiece.

In completing a standard employment questionnaire, narrator Jan Kepka manages to write a beautifully impressionistic history of his life, his family, and his hometown as he obeys—with mock solemnity—the handwritten command on top of the form: "DO NOT CROSS OUT."

Details

Title The Questionnaire
Author Jirí Grusa
Translated by Peter Kussi
Title First Published 2000
Format Paperback
Nb of pages 288 p.
ISBN-10 1-56478-227-1
ISBN-13 9781564782274
Publication Date 2000
Nb of pages 288
Dimensions 5.5 x 8.5 in.
List Price $12.95
 

Excerpt

1. GRANIT 01

On September 19, 197―, in the city of Prague (i.e., right here, not in the town of Chulmec), I visited the enterprise GRANIT, the sixteenth organization I had contacted over the past two years, and I received my sixteenth Questionnaire (in room 102, second floor), from the hand of Comr. Pavlenda (Comr. = Comrade; i.e., friend, mate, companion, fellow member of a Communist society).
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Reviews

Press Reviews

Washington Post
Grusa blends masterfully the soaringly magical with the gritty commonplace . . . The Questionnaire is a fabulous fabrication, a work of high literary craftsmanship, a flawless evocation of a rare mood of innocent bafflement and enchanted omniscience.

Nation
This quirky and brilliant novel would be maddeningly elusive if Grusa weren't also addicted to prosaic reality . . . The Questionnaire becomes a whimsical family chronicle, a poignant historical novel, in which private legend congenially coexists with public fact . . . The Questionnaire resonates with historical, mythological and religious echoes, and the profusion of influences is evident in Grusa's
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Christian Science Monitor
The images of Nabokov, Grass and Garcia Marquez do spring initially to mind, but they quickly fade, so enchanting is the voice of the inspired lunatic, so compelling his fabulous story.

New York Review of Books
No summarizing can do more than suggest how rich this novel is. It is complex, confident, luminous. It is about the modesty of ordinary Czech life, and about the angels and demons that sustain that life.

Choice
An internationally acclaimed novel by one of the major contemporary Czech writers . . . Brilliantly translated into crisp and vivid English . . . Grusa's novel superbly blends bold fantasy with blunt realism. The effect is often deadpan picaresque, which can be found also in the work of other contemporary East European writers, most notably Janusz Glowacki.

Chicago Tribune
This ingenious comedy mocks 'serious' questioning, while vividly depicting an irresistible gallery of eccentric survivors and endurers.

New Yorker
The complete, cryptic, blackly comic story of a town which (centuries older than Czechoslovakia itself) has survived bloody invasions and violent regimes.

World Literature Today
His intimate traffic with the eternal distinguishes him from his equally gifted contemporaries like Milan Kundera, with whom he shares a propensity for savage irony and a fascination with sexuality . . . For all its obsession with death and decay, this brilliant novel is animated by a thrust which points heavenward, beyond desperate derision, and calls for forgiveness.

Times Literary Supplement
If Grusa is a subversive, his mentors are writers and his targets are the purveyors of down-to earth literature. Like Sterne's [Tristram Shandy], his book is intensely personal, but because the history he relates in his idiosyncratic fashion is Czechoslovakian it becomes impossible to separate the personal from the political . . . His variations on themes set by the Comrade Questioner are as unlikely and as colorful as Gaugin's answer to the inquiry, 'Where do we come from, What are we, Where are we going?'

Atlantic Monthly
His answers are impertinently semi-fanciful and unsuitably but delightfully verbose. They add up to a satirical view of the past and an oblique criticism of the present. Mr. Grusa is undoubtedly a fine young writer.

Times Literary Supplement
If Grusa is a subversive, his mentors are writers and his targets are the purveyors of down-to earth literature. Like Sterne's [Tristram Shandy], his book is intensely personal, but because the history he relates in his idiosyncratic fashion is Czechoslovakian it becomes impossible to separate the personal from the political . . . His variations on themes set by the Comrade Questioner are as unlikely and as colorful as Gaugin's answer to the inquiry, 'Where do we come from, What are we, Where are we going?'

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Genres : Fiction : Europe : Central Europe
Countries : Czech Republic


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