A Tomb for Boris Davidovich

A Tomb for Boris Davidovich

Translated by Duska Mikic-Mitchell
Introduction by Joseph Brodsky
Afterword by William T. Vollmann

Composed of seven dark tales, A Tomb for Boris Davidovich presents variations on the theme of political and social self-destruction throughout Eastern Europe in the first half of the twentieth century. The characters in these stories are caught in a world of political hypocrisy, which ultimately leads to death, their common fate. Although the stories Kis tells are based on historical events, the beauty and precision of his prose elevates these ostensibly true stories into works of literary art that transcend the politics of their time.

Details

Title A Tomb for Boris Davidovich
Author Danilo Kiš
Translated by Duska Mikic-Mitchell
Introduction by Joseph Brodsky
Afterword by William T. Vollmann
Title First Published 01 June 2001
Format Paperback
Nb of pages 135 p.
ISBN-10 1-56478-273-5
ISBN-13 9781564782731
Publication Date 01 June 2001
Nb of pages 135
Dimensions 5.5 x 8.5 in.
List Price $12.95
 

Excerpt

the knife with the
rosewood
handle


The story that I am about to tell, a story born in doubt and perplexity, has only the misfortune (some call it fortune) of being true: it was recorded by the hands of honorable people and reliable witnesses. But to be true in the way its author dreams about, it would be told in Romanian, Hungarian, Ukrainian, or Yiddish: or, rather, in a mixture of all these languages. Then, by the logic of chance and of murky, deep, unconscious happenings, through the consciousness of the narrator, there would flash also a Russian word or two, now a tender one like telyatina, now a hard one like kinjal. If the narrator, therefore, could reach the unattainable, terrifying moment of Babel, the humble pleadings and awful beseechings of Hanna Krzyewska would resound in Romanian, in Polish, in Ukrainian (as if here death were only the consequence of some great and fatal misunderstanding), and then just before the death rattle and final calm in her incoherence would turn into the prayer for the dead, spoken in Hebrew, the language of being and dying.
...more



Reviews

Press Reviews

Publishers Weekly
A portrait of a country and a people in turmoil, a portrait of how Communism both creates and devours its sons.

New York Review of Books
In Kis's case . . . it is the consistent quality of the local prose that counts. It is how, sentence by sentence, the song is built, and immeasurable meanings meant. It is the rich regalia of his rhetoric that leads us to acknowledge his authority. On his page, trappings are not trappings, but sovereignty itself.

Partisan Review
Kis is one of the handful of incontestably major writers of the second half of the century . . . Danilo Kis preserves the honor of literature.

New Leader
A Tomb for Boris Davidovich bears traces of Orwell's 1984 and Koestler's Darkness at Noon, but it has its own special flair.

Booklist
Kis slices into the essence of revolutionary spirit.

World Literature Today
A stunning statement on political persecution.

Kirkus
Kis's book is a collection of sleek, semi-biographical stories that, like microscope slides, slice from large events one squirming sliver . . . Much here is cast-iron and memorable.



Quotations

An absolutely first-rate book, one of the best things I've ever seen on the whole experience of communism in Eastern Europe, but more than that, it's really a first-rate novel.
-Irving Howe

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