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The Book of Jokes


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Imagine a universe where every joke you’ve ever heard is solid, real, and occasionally dangerous—and all happening, one after the other, to the same small group of people. Detailing a series of filthy and ludicrous episodes in the life of a single family, saddled with a super-eccentric, sexually rapacious father, The Book of Jokes tells the story of the youth and education of a bland young boy doomed to record—in an incongruously serious, autobiographical mode—all the ridiculous incidents befalling his household. With their lives dictated by set ups and punchlines, the boy’s family quickly becomes luridly dysfunctional, and he realizes that the only way to escape his tragicomic fate is by trying to take control of the joke-telling himself. Channeling the spirits of Chaucer, Rabelais, Flann O’Brien, and Gian Francesco Poggio Bracciolini, the Vatican secretary who compiled the first known book of jokes in 1451, The Book of Jokes is a happy raspberry in the face of life as we know and tell it.

Details

ISBN-10 1564785610
ISBN-13 9781564785619
Publication Date Sep 2009
Nb of pages 200

Reviews

Press Reviews

Bookslut
Momus's prose is elegant and practiced; the contrast between his somewhat formal writing style and the startlingly offensive subject matter is effective, and maybe the main reason this book succeeds to the extent that it does. And it is funny, in an unbearably grim way.

Los Angeles Times
"Momus' book is funny -- sometimes laugh-out loud, sometimes wincingly -- and the humor is delivered in Joycean puns, dry British parody and spoof . . ."

The Guardian
"[The Book of Jokes] is the kind of book that delights in the depraved, and revels in its recidivism. It's also very funny – assuming, of course, that you don't mind jokes about bestiality, incest and serial killers."

The New Yorker
"He lists Rabelais and Martial among his songwriting influences (with a side of Matthew Barney and Kubrick's 'A Clockwork Orange'), and his music from Brecht to Beck on Moog and simulated harpsichord—is suitably challenging . . . His songs, by the way, are quite dirty, as might be expected of someone who goes in for the Decameron too."


Melody Maker
"One of the UK's greatest and most underrated songwriters . . . ambivalent, challenging, confusing, disturbing."

Rolling Stone
"Momus delights in wordplay like few others in contemporary pop, using wit as a formidable weapon against the tyranny of everyday banality."

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