Wittgenstein's Mistress

Wittgenstein's Mistress

David Foster Wallace, David Markson

Wittgenstein's Mistress is a novel unlike anything David Markson—or anyone else—has ever written before. It is the story of a woman who is convinced—and, astonishingly, will ultimately convince the reader as well—that she is the only person left on earth.

Presumably she is mad. And yet so appealing is her character, and so witty and seductive her narrative voice, that we will follow her hypnotically as she unloads the intellectual baggage of a lifetime in a series of irreverent meditations on everything and everybody from Brahms to sex to Heidegger to Helen of Troy. And as she contemplates aspects of the troubled past which have brought her to her present state—obviously a metaphor for ultimate loneliness—so too will her drama become one of the few certifiably original fictions of our time.

"The novel I liked best this year," said the Washington Times upon the book's publication in 1988; "one dizzying, delightful, funny passage after another . . . Wittgenstein's Mistress gives proof positive that the experimental novel can produce high, pure works of imagination."

Details

Title Wittgenstein's Mistress
Authors David Foster Wallace, David Markson
Title First Published 01 May 1988
 
Format Hardcover
Nb of pages 248 p.
ISBN-10 0-91658350-3
ISBN-13 978-0-91658350-7
GTIN13 (EAN13) 9780916583507
Publication Date 01 May 1988
Nb of pages 248
Dimensions 5.5 x 8.5 x 0.8 in.
List Price $20.00
 
Format Paperback
Nb of pages 248 p.
ISBN-10 1564782115
ISBN-13 9781564782113
Publication Date 01 May 1988
Nb of pages 248
Dimensions 5.5 x 8.5 in.
List Price $16.95
 

Excerpt

IN THE BEGINNING, sometimes I left messages in the street.

Somebody is living in the Louvre, certain of the messages would say. Or in the National Gallery.

Naturally they could only say that when I was in Paris or in London. Somebody is living in the Metropolitan Museum, being what they would say when I was still in New York.

Nobody came, of course. Eventually I stopped leaving the messages.
...more



Additional Materials

by Joseph Tabbi

Reviews

Press Reviews

New York Times Book Review
Addresses formidable philosophic questions with tremendous wit . . . remarkable . . . a novel that can be parsed like a sentence; it is that well made.

Publishers Weekly
Unsettling, shimmering . . . compelling.

San Francisco Review of Books
Brilliant and often hilarious . . . Markson is one working novelist I can think of who can claim affinities with Joyce, Gaddis, and Lowry, no less than with Beckett.



Quotations

A work of genius . . . an erudite, breathtakingly cerebral novel whose prose is crystal and whose voice rivets and whose conclusion defies you not to cry.
-David Foster Wallace

Provocative, learned, wacko, brilliant, and extravagantly comic. This is a nonesuch novel, a formidable work of art by a writer who kicks tradition out the window, then kicks the window out the window, letting a splendid new light into the room.
-William Kennedy

In a just world, Wittgenstein's Mistress would be offered notice on the cover of the New York Review of Books. Let good readers therefore come and make up the difference.
-Gordon Lish

I can't think of the last time I held my breath when I read a book, waiting for the author to make one slip. Markson is as precise and dazzling as Joyce. His wit and awesome power of observation make this fictional world utterly convincing. I couldn't put this book down. I can't forget it. While Markson himself would deplore the use of a cliché, all I can say is that this book is original, beautiful, and an absolute masterpiece. Anyone who reads it can't think about the world the same way.
-Ann Beattie

Wittgenstein's Mistress is an original and haunting work. David Markson brilliantly demonstrates how art and memory can both heighten and leaven grief.
-Hilma Wolitzer

Beautifully conceived. An irresistible, captivating book!
-Walter Abish

Beautifully realized. Initially as hypnotically calming as an afternoon snowfall, then, by stages as menacing and yet thrilling as a nocturnal blizzard. This is Markson in the post-Beckett Gaddis country, staking his own claim, in a territory nobody else has the courage or the strength to inhabit and survive in.
-James McCourt

But a sad story doesn't always make the reader feel sad. In fact, sometimes a sad story makes the reader feel better.
-Ted Gioia

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